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That 80s Band w/ Dead Letter Office: A Benefit 20 (or so) Years in the Making!
Review by Todd Zeigler

OK, we all make mistakes, and it takes a special person to admit when they're wrong. I for one think we all owe a rather large apology for instigating the creation of some of the less flattering pseudonyms for the 80s. There was "The 'Me' Generation", the "Era of Excess", "Greed is Good", and so on, and so on. . .

Anyway, amends must be made. Thankfully, in the spirit of the holiday season, two bands set about the task of righting the wrongs. On the night of December 14th, a few thousand merry music lovers streamed into the Roxy Theatre to warm themselves by the stage lights, sip a few pints of the "extra special" nog, and enjoy the sounds of some very eccentric carolers.
 

To put the "give" portion of the holidays through a test run, this night marked the first ever "Past For Presents" benefit concert. Net proceeds from the show were donated to Atlanta's Habitat for Humanity, Atlanta Community Food Bank, and Toys for Tots. On the "receiving" end, the generous concertgoers were treated to a fantastic show featuring the hyper-energetic quintet comprising That 80s Band (mention Abbot & Costello routines and you get a lump o' coal, I swear) with their special guests Dead Letter Office.

With the considerable amount of early arrivals for the show, the night was foreseeably shaping up to be an intimate yet energetic time for everyone. Almost precisely an hour after the doors opened, North Carolina residents Dead Letter Office took the stage to welcome everyone and kick the evening into first gear. The group more than did their namesake justice, performing impressive versions of R.E.M. classics including "The One I Love", "Stand", and closing out with "It's the End of the World As We Know It". The band also interjected several surprise covers for the crowd, such as The Ramones' "I Wanna Be Sedated" and the Beastie Boys' "Fight For Your Right to Party". Like an early present, the openers were made to feel like headliners thanks to the enthusiastic response from a large group of their biggest fans. Who says poster board declarations of affection should be limited to pro wrestling? Dead Letter Office brought the Roxy to a steady simmer with a great performance before the curtain closed, and the anticipation built for the main event.
20 minutes later, the crowd was on its feet, and the stage was (literally and figuratively) set. The curtain parted, the lights flared up, and That 80s Band let everyone know how they wanted to do things: "Any Way You Want It"! From "Sister Christian" to "Jessie's Girl", the group turned the Roxy into one outrageous "Love Shack". The band rarely stopped, pausing only for such hilarious moments as lead guitarist Frak's folically-abundant impersonation of axe-god Slash before busting out "Sweet Child of Mine". So that's what's underneath that hat.

The only other brief break of the night came as That 80s Band welcomed their new playmates from Dead Letter Office back on stage for a monster jam session on Modern English's "Melt with You". How do you fit 11 musicians on a stage with 4 guitars and a half-dozen mic stands? The answer, my yuletide friends, lies in a deodorant commercial.

For a solid 75 minutes, That 80s Band sustained an "Eruption" (Cheap Trick, baby!) of high-energy classics, culminating in a finale that made one so dorky and pasty as I nearly faint: "Separate Ways". From the squeal-inducing keyboard intro, through the furious guitar solo, pausing for a pit stop at the drum solo, and arriving at the piercing high notes of lead vocalist Craig, no one has done a song this difficult justice since the real Journey. I swear I might have been conceived to that song.

Leaving the crowd breathless for a scant few minutes, That 80s Band returned for an impressive 15 minute encore, before saying goodnight and wishing everyone a happy holidays. We streamed out into the chilly December night, and the band must have beelined straight for waiting set of oxygen tanks.

The holidays are a time when everyone takes some satisfaction in doing goodwill toward their fellow men and women. Thanks to That 80s Band, Dead Letter Office, and the Roxy, many needy individuals' days are just a bit merrier. Additionally, we did our part to make our generation seem less like a "Brat Pack". Thank God we don't have to make up for disco.

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